Onto to the bonus track ‘Dungeon’,(24.00) which does contain synths!!!!! It does sound alittle harsh after the sublime ending of ‘Irrlicht’ but does sit well with the rest of the album set. An excellent quality recording that is completely focused and executed flawlessly. Starting life as some sort of grandiose anthem the piece rolls over; a wide chord sustained as some Moog soloing serves to fill out the soundfield. For some eleven minutes Klaus really does manage to hold the listeners attention, the multitonal nature of the music making for an ever evolving sound. Some serious pitchbending heralds the arrival of more deliberate soloing and effects at the halfway mark, only to be followed by what sounds like a rain storm coming in at about the fifteen minute mark. Synth and organ sounds emerge from the shower building gradually sounding alittle like Picture Music’s organ work bringing the piece to its conclusion. The exact origins of the bonus track remain abit of a mystery, though l would have thought that mid 1973 may not be far wrong. Review by Synth Music Direct